I agree, and think it’s going to sound great from the monitor out. You need that NEVE to make a SM57 not sound harsh.
Right now, I already have 3 cabs mic’d and dialed in … 2 Black Back loaded 70’s cabs, and one basket weave with pre Rola g12h30s that I use with amps that I have created or restored with NOS or old parts… 68 JMP 50 , 68 SuperPA EVH spec, 69 Superlead with 67 OT, all with NOS parts except the PT on the JMP 50.
Some clones… A 68 Superlead, and 67 Black Flag 10000 series with Merren Iron, and a couple JTM 45/100 Dickenson spec builds (one with Heyboer and one with Merren iron),
I also have some other amps (I might need an intervention),….an old BF Super Reverb (with Mercury OT), a Blues Jr, BE100, BE50 Deluxe, SUHR PT -15 IR, and a 64 VibroVerb RI CESAR Diaz mod amp that I’m in the process of using as a guide to build a 64 VV from old parts which is the current Rabbit Hole… I already have all the parts including old 15” JBLs and EVs to try.
I’m nothing special as a player (I’m ok)… I just love to play and know how to get great tone. So far I haven’t heard any Captures that sound as good as my amps, (including mine) when I made a capture just going from the mic into the QC…
I really think captures from the monitor out are going to be a game changer, and I might actually blend 3 mics off 2 cabs since the channels are already set up and dialed in and sound great… Just like the amp tone!
. Right now they all have SM57s , but I’ve been itching to try that 421….Between the different speakers/ grill cloth, and mics; it should really cover a full range of tone…
I’m just an old Trucker… but I still have some inventory from when I used to build amps and gig.
I have the QC in the Semi with me while I travel, and I’m sitting it the truck stop typing this , and getting ready to fire it up!!