Absolutely. I would try sending out of the QC into the FX return on the Bias amp though, so you are not affecting the sound with the preamp.
Only thing to note, would be to start with the volume on the QC right down and slowly turn it up. Some amps have the master volume before the FX loop, and some have it after, and I’m not sure which the Bias amp is.
it needs to be an speaker cable / not instrument (if you’re taking about a traditional guitar speaker cabinet)
I’ve always used just 1 cabinet but I believe you will need to pay attention to speaker impedance, series vs parallel connection, etc (guess you already knew that but just mentioning)
This is what I used when using my Seymour Duncan Powerstage 200W originally, I had no audibile issues.
The Powerstage has 2 outputs, which I sent to 1 cab each and all I really noticed was a slight DB drop, there’s no way to specify series or parallel connections with that.
Hi Jack, out of curiosity, why are you exploring other options outside of using the Seymore Duncan?
I ask, as my plan is to use a SD Powerstage at gigs (don’t really want to rely on going straight to house in small venue) and would appreciate your advice re; any downsides of using a SD.
I bought the QC as dont want to take an amp and a big pedalboard to gigs anymore and also got tired of taking a fee essential pedals to a gig and having to plug in to whichever amp was at the venue/other bands have (also wanted to minimise the tap dancing of switching on/off mutiple pedals:-)
My plan is to figure out an efficient way of splitting the signal to have one output with cab for FOH and one without for using a real cab on stage (i know a feature request is already out there to be able to disable cabs/IRs to one output etc- seems silly to have to duplicate all effecrs/amps per output.
The only reason I am looking to use an amp head is mainly about transporting it to and from shows, and I thought I can either sell my Bias head for about £350 or sell my Seymour Duncan for about £400-£450 as it’s hardly been used.
You have the same reason as me for getting the QC, I was originally using the Bias Mini Head with the Line 6 Helix HX Effects (for FX + midi switching) but wasn’t super impressed with the sound out of the Bias head.
I want the sound of a cab behind me when I play, as it’s alien without - I was just looking for the best options for me moving foward, as the Bias head is slightly lighter, a similar shape to the QC, and 100W more I thought it might be worth a shot.
If you’re looking to get the Seymour Duncan Powerstage I wouldn’t stop, I would go ahead - from the 3 times I’ve used it it sounds killer and is really straight forward to use.