Would really love to see an octave fuzz/Octavia effect in the QC.
Would also really love access to more fuzz tones in general.
Would really love to see an octave fuzz/Octavia effect in the QC.
Would also really love access to more fuzz tones in general.
Agreed. I wonder if it will ever be possible to capture fuzz pedals, I really hope so!
I love fuzz and if y’all are interested, I shared several fuzz pedals in my cloud.
Voted.
I have an octave fuzz preset in cortex cloud
IMO there is no virtual fuzz that is comparable to the real thing.
I would gladly sacrifice 50% of the QC cpu power for a realistic Fuzz pedal (even if I always had so switch presets to use it).
Would be a first in the digital world.
FWIW for more “tame” fuzzes like a basic fuzz face style clone or Fender The Pelt, I’ve had very similar results to the original with captures, just a very small tonality change (like if the pedal had a bass control that was moved a hair to the left with the capture compared to the original), but very similar feel, and surprisingly also very good volume pot cleanup.
But the octave effect wouldn’t work, I don’t think, so it would be nice to have a model of it. I also haven’t tried capturing any octave fuzzes for that reason. Even a Green Ringer model would be nice IMO, since you could try using that + an octave fuzz capture to approximate an octave fuzz?
I have the octafuzz from Andy Timmons in my public cloud. I can adjust it with another capture if someone tell me what’s not good.
Coming back here to say that I still miss a great Octave Fuzz modeler. I understand that we can make great captures or download something that someone on the community have been working on. But I think that a Octave Fuzz modeler could have a better matching with the other devices inside the gain chain.
I am having issues with the Fuzz options in the QC being too noisy. Even with using different noise gates in different locations. Am I missing something, it seems unusable right now. Otherwise, my QC has been perfect for gigging and practicing with a multitude of effects and styles.